Tag Archives: student exhibition

The central narrative

Each year, our first year students embark on a project that explores the idea of storytelling – the foundational premise upon which most graphic design (and arguably communication in general) is based. Understand the place of storytelling in our craft, and you are likely to build strong, believable visual narratives.

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We explore pace, flow, rhythm and tone of voice to aid the engagement with (and comprehension of) a given story or message. We encourage the students to begin with a personally authored piece of writing, to then research within and beyond graphic design (film, poetry, creative writing, photography, and so on…) and experiment with a wide variety of visual responses. The hope is to nurture diverse and experimental approaches to narrative and move beyond conventions of (in this case) the traditional book.

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At the end of the module this year (as is our practice), we created an exhibition of the work and invited the rest of the course to share in the fruits of the first year’s efforts (and scare a few second and third year students in the process!). Of particular note this time around was the care in production of many of the books (thanks again to Megan Stallworthy for the workshops), and the time spent considering the initial stories – many of which dealt with sensitive or poignant moments. The samples shown here were all produced by our first year students (who have been with us for just under 20 weeks), and they wrote, designed and hand-made the books in just 5 weeks!

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STUFF Student collections Moth Design & Death + The Studio Society

Following on from the Staff STUFF Collections, which were exhibited at the end of last year, students from the School of Communication Design were invited to exhibit their personal collection of STUFF. This collection could be one which has been added to over time, bequeathed to them, multiples of objects accrued as a result of habitual buying, a chance encounter at a boot fair.

MOTH: design & death has been interested in working with staff and students instigating projects which encourage enquiry using objects and artefacts as triggers for hidden memory, micro/macro, parts and whole, constructing and de-constructing, a passion for ‘rejects’ and fragments. This projects extends into The Studio Society which seeks to promote opportunities for the community of the Graphic Design Course to share, comment and contribute to the course beyond the curriculum.

Over the last four weeks students have shared some of their collections, giving insight as to why they have this STUFF and what it means to them.

Collection_01 | Jocelyn Affleck | Story Book

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‘Everybody has a story to tell, but it’s tricky to find it. I take this book with me everywhere as a conversation starter and from there on people feel like they are part of something – part of this wide network of stories all held within the broken binding of this book’  Jocelyn Affleck

Collection_02 | Louise Osborne | Royal Memorabilia | Victoria Boyle | Black Cat & Socks | Chris Rees | Keyrings

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‘No amount of frills, ribbons or official crests can disguise the naffness of these objects. Such an ornate form of tat, they are simultaneously beautiful and hideous. Quite an impressive combination in all honesty. Essentially I find them amusing, a completely bizarre thing to have in your home. However for such a simple object they open a variety of discussions and memories’ Louise Osborne

Collection_03 | Su Lee | Eating Habits | Sylwia Cwieczek | Trophies | Ciaran Saward | Calendar of Blades

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I could never even think about my trophies as a collection. You can’t buy those objects, get them as a gift or find them in the middle of the field. Even though you might like their shapes and colours it’s not why you own them. You don’t decide to collect them, they’re actually only a side effect, a proof, something that reminds you what happened.Sylwia Cwieczek

Collection_04 Friday | Charlotte Skerratt |Sea Glass | Lucy Carpenter | Bottles | Armelinda Beqiraj | Imperfect Images

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‘I’m so in awe of how nature has managed to create something so alluring, turning our waste into beauty. Although mere fragments of glass, they’re special to me as they remind me of happiness, the feeling I got when I found a special piece or rare colour. The people I was with, how the beach looked and sounded one evening. Within each piece is a snippet of time holding years of history and wonder.’ Charlotte Skerratt

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